David Byrne’s New Book Explores the Strange Afterlife of Good Ideas: From Vermeer’s Paintings to Roman Concrete & Dark Matter

by akwaibomtalent@gmail.com

David Byrne will always be most wide­ly known as the co-founder and front­man of Talk­ing Heads. That may count among the great­est pos­si­ble achieve­ments for any artist — to the minds of many an Open Cul­ture read­er, at least — but it must occa­sion­al­ly frus­trate the man him­self. Talk­ing Heads broke up 35 years ago, but Byrne has only grown more and more pro­duc­tive since, record­ing his own albums, cre­at­ing musi­cals, writ­ing books, putting on Pow­er­Point pre­sen­ta­tions, and even design­ing bike racks. By now, his ideas have stretched so far beyond music that he’s con­sid­er­ing the nature of ideas them­selves, how they suc­ceed or fail in catch­ing on, and why they go in and out of accep­tance over time. Hence his new book Sleep­ing Beau­ties: Why Good Ideas Go Dor­mant and How They Wake Up.

“I first saw the term ‘sleep­ing beau­ties’ (out­side of the folk­tale or the Dis­ney movie) when I went down a rab­bit hole and stum­bled on a paper from 2004 called “Sleep­ing Beau­ties in Sci­ence” by the sci­en­to­met­rics researcher Antho­ny van Raan at Lei­den Uni­ver­si­ty,” Byrne writes in an excerpt of the book pub­lished online. (Sci­en­to­met­rics being, he adds, “the study of the impact and com­mu­ni­ca­tion of sci­ence.”) He cites a favorite exam­ple of the astronomer Vera Rubin’s dis­cov­ery, in the nine­teen-sev­en­ties, of “evi­dence for dark mat­ter, which is esti­mat­ed to make up a large percent­age of the uni­verse.” Under­stand­ing her own obser­va­tions required her to “ques­tion even her most basic assump­tions — that mat­ter must emit light and radi­a­tion. She was a visu­al thinker, and she used her data to cre­ate plots and sketch­es that revealed pat­terns with­in the num­bers.”

Only decades lat­er was Rubin’s coun­ter­in­tu­itive vision of the uni­verse sup­port­ed by the­o­ret­i­cal physi­cists and radio astrono­mers using ever more tech­no­log­i­cal­ly advanced tools like “the pow­er­ful Hale Tele­scope, Kent Ford’s new spec­tro­graph, and the Uhu­ru satel­lite, which tracked cos­mic X‑rays.” In the Sci­ence Fri­day inter­view at the top of the post, Byrne brings up a much old­er, longer-sleep­ing beau­ty often fea­tured here on Open Cul­ture: ancient Roman con­crete, the source of whose extra­or­di­nary strength and endurance was only deter­mined a few years ago. Though espe­cial­ly vivid in tech­nol­o­gy and sci­ence, “this for­get­ting and then remem­ber­ing, I knew from my own expe­ri­ence, wasn’t lim­it­ed to acad­e­mia,” he writes. “It hap­pens in all kinds of fields and endeav­ors — music, art, lit­er­a­ture, every kind of cre­ative pro­fes­sion.”

As Adam Grant writes in the New York Times Book Review, the range of exam­ples cov­ered in Sleep­ing Beau­ties includes “how advo­cates reawak­ened Bach’s com­po­si­tions and Ver­meer’s paint­ings after one and two cen­turies of slum­ber; how tech­no­log­i­cal advances rekin­dled the­o­ries of con­ti­nen­tal drift and black holes; how acci­dents resus­ci­tat­ed hand-wash­ing and genet­ics; and how war renewed inter­est in the sub­ma­rine and The Great Gats­by.” Mak­ing an appear­ance on Late Night with Seth Mey­ers, Byrne was asked if any of his own work has under­gone a sim­i­lar process of dis­in­ter­est fol­lowed by redis­cov­ery. “It’s kind of the oppo­site,” he replies. “There’s things that I’ve done where I go, ‘That one does not hold up that well at all’ ” — which, if the irony of cul­tur­al his­to­ry con­tin­ues to oper­ate as usu­al, will be exact­ly the records the chil­dren of today’s Talk­ing Heads fans put on most enthu­si­as­ti­cal­ly a few years down the line.

Relat­ed Con­tent:

David Byrne Turns His Acclaimed Musi­cal Amer­i­can Utopia into a Pic­ture Book for Grown-Ups, with Vivid Illus­tra­tions by Maira Kalman

David Byrne’s New Illus­trat­ed Book Play­ful­ly Presents A His­to­ry of the World (in Ding­bats)

David Byrne: From Talk­ing Heads Front­man to Lead­ing Urban Cyclist

David Byrne’s Unusu­al Forms of Visu­al Art: Bike Racks, Cor­po­rate Signs & Pow­er­point Pre­sen­ta­tions

David Byrne: How Archi­tec­ture Helped Music Evolve

Bri­an Eno Explores What Art Does in a New Book Co-Writ­ten with Artist Bette A

Based in Seoul, Col­in Marshall writes and broad­casts on cities, lan­guage, and cul­ture. He’s the author of the newslet­ter Books on Cities as well as the books 한국 요약 금지 (No Sum­ma­riz­ing Korea) and Kore­an Newtro. Fol­low him on the social net­work for­mer­ly known as Twit­ter at @colinmarshall.

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